Want to practice your redoble (roll)?
Here’s a tangos footwork pattern that incorporates the flamenco redoble.
You may use this step as an exercise or even as a remate in your dance.
How to dance flamenco, flamenco travel in Spain, flamenco dance students and their experiences, interviews with flamenco artists, translations of flamenco letras (songs) from Spanish to English
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Frances the Kitty Cat
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Want to practice your redoble (roll)?
Here’s a tangos footwork pattern that incorporates the flamenco redoble.
You may use this step as an exercise or even as a remate in your dance.
Check out the video tutorial here
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Learn this step and use it in your bulerías pataíta.
You could use this step as a llamada, remate, or even a patá.
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Fancy up a basic flamenco marcaje with this simple but pretty abanico movement.
Below I show it to you in the 12-count compás, but you could adapt it to any rhythm.
Take a peek at this tutorial video then see the notes to follow for additional support:
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In the video tutorial below I take you through the basic movement of the hands and fingers used in flamenco dancing.
First we’ll focus solely on the movement of the hands.
Then we will look at the finger movements.
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Ready to dance?
Below find another step to put with any palo in the rhythm of twelve.
Let’s learn it step by step:
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Looking for a simple marcaje to add to your bank of bulerías steps?
Here’s one you can use in a variety of ways.
Try it with me here:
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Ready to learn a simple remate por tangos??
Use this remate to add a little flair to a choreography you already have, or
Put on some of your favorite tangos and do it over and over again as an exercise, or
Create your own dance and make this one of your steps.
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As February approaches it seems like good time to start talking about love!
Here’s a letra por bulerías that I think you’ll enjoy.
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So you’re looking for a letra about love?
Here find many to choose from.
At the time of posting there are one hundred twenty one letras about love on this site.
Beware, not all of these letras are warm and fuzzy.
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In need of a little chuckle?
Then read on for today’s letra.
I hope you’ll enjoy it as much as I do…
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In this video interview flamenco dancer Karen Lugo talks about her beginnings in Guadalajara, her obsession with rhythm that drove her to move to Spain, her influences, how she uses improvisation, her creative process, what she enjoys about teaching, advice for students, how she decides what to wear on stage, and what inspires her.
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It's the second week of LOVE letras!
Here's the chorus to Vicente Amigo's Enamorao followed by a video of Alba Heredia when she was little.
Enamorao enamorao
lo que a mi me está pasando…
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This week's letra comes at the request of a reader. She is learning a soleá to this music and wanted to know the words.
Here is the first letra:
Soleá
Popular
Por qué no te levantas tempranito
que al castillito quiero ir
me han dicho que con el alba
se oye el eco de Joaquín el de la Paula
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Here's one more bulerías from Manuel Moneo. Watch him relaxing and laughing with his friends while singing (con mucho arte) below.
Bulerías
Qué malita fue tu madre
A ti te ha cortao todo el pelo
y a mi me ha tirao a la calle
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You've heard many examples of different artists singing cuplés in the previous four posts. Now it's time to see how one dances to a cuplé, and I've got one of the best possible examples for you, Carmen Herrera. Following the video I'll talk about how to dance bulerías to a cuplé then share one of the songs you'll hear and its translation
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Malagueñas
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Hincaíto de rodillas
a mi Dios me encomendé
qué remedio buscaría
para olvidar yo tu querer
y me dijo que no lo había
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Here's a caña followed by a video of Carmen Mora accompanied by Carmen Linares. (A couple of years ago we studied this dance with Mercedes Ruíz on the Flamenco Tour to Jerez. I can't wait to go back and learn more from her in a couple of weeks on the next tour!)
Caña
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Aquél que tiene tres viñas
y el tiempo le quita dos,
que se conforme con una
y le dé gracias a Dios
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Traditional festivals (ferias) take place in towns big and small across southern Spain during the springtime. Locals dress up, dance, sing, eat, and have A LOT of fun. There are the bigger ferias (those of Sevilla, Jerez...) and there are the smaller ferias (those of Sanlúcar, El Puerto...). These exclusive springtime ferias are unique to Andalucía, and each one has its very own encanto (charm). One of the great things about the feria is that there you get to see both professionals and everyday people dancing flamenco; some may not dance very well technically, but they dance from the heart.
Below you'll see a video of Samara and Rocío Carrrasco at this year's Feria del Caballo in Jerez along with pictures from a variety of ferias in Andalucía.
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Today a bulerías letra and a video of Camarón singing it with Paco de Lucía on guitar.
Bulerías
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Abuelos, padres y tíos
de los buenos manantiales
se forman los buenos ríos
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From Consejos, coplas, apuntes
Antonio Machado
Me despertarán
campanas del alba
que sonando están.
(My kitty cat, Frances, helped me write out this one. You can see the pictures below.)
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