Here’s a video tutorial of a flamenco step with abanico.
Incorporate it into a choreography, or
Use it as a practice exercise to improve:
opening and closing the fan
contratiempo
coordination
How to dance flamenco, flamenco travel in Spain, flamenco dance students and their experiences, interviews with flamenco artists, translations of flamenco letras (songs) from Spanish to English
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Here’s a video tutorial of a flamenco step with abanico.
Incorporate it into a choreography, or
Use it as a practice exercise to improve:
opening and closing the fan
contratiempo
coordination
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In the video tutorial below I take you through the basic movement of the hands and fingers used in flamenco dancing.
First we’ll focus solely on the movement of the hands.
Then we will look at the finger movements.
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Do you practice your flamenco hand movements?
Practicing 'manos' is a must for every flamenco dancer.
The good news is that there is not one right way to move the hands in flamenco.
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Here’s a simple tangos marcaje you can use to work on:
Pitos (finger snaps),
Hips,
Coordination, and
Arm positioning
Let’s take a look step by step
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The following twelve count marking step is all about the body.
The feet are pretty simple. (Phew.)
It’s the movement of the body and arms that makes the step.
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Ready to dance with the abanico?
Here’s a step you can add to:
Your bulerías at the end of a guajiras
Your bulerías de Cádiz at the end of alegrías
A falseta or escobilla
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Here’s a new tangos combination for you.
You may use it:
As the singer comes to the end of a line of the letra
When the singer takes a respiro, a pause
Or simply as an exercise to practice coordinating contratiempo sounds with fluid body movements.
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Here’s a fun llamada por tangos with lots of contratiempo and a redoble.
Learn it step by step below…
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Ready to dance?
Below find another step to put with any palo in the rhythm of twelve.
Let’s learn it step by step:
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Here’s a step that combines marking with footwork.
Use it with any palo in the rhythm of 12.
Ready to try it?
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Here’s an exercise n the compás of 8 you can use to practice coordinating footwork with palmas.
This one is also good for practicing beginning on the same foot you end on, which can be challenging as you build speed.
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Here’s a flamenco footwork pattern in the compás of 12.
Use this as practice exercise, or add it to a dance.
The second part of the pattern is a remate, so this step would work well to close something in your dance.
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Looking for flamenco dance tutorials?
You’ve come to the right place.
This past year, I began creating and sharing short flamenco dance lessons online.
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Here’s a simple marcaje that uses the abanico to make a little bit of noise.
With this step we close the fan when tapping it against the body to make sounds.
The step goes like this…
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Ready to dance tangos with me?
Below find two simple flamenco marking steps you can put to use today!
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Looking for a simple marcaje to add to your bank of bulerías steps?
Here’s one you can use in a variety of ways.
Try it with me here:
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Do you love a little slapping and clapping?
Here I share a flamenco dance tutorial for a bulerías remate with contratiempo.
A remate can be done using footwork or body movements or a combination of the two.
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Dance with me!
Learn this short tangos combination with abanico.
We begin with a simple marcaje in the first compás,
And finish with a remate in the second compás.
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Ready to learn a simple remate por tangos??
Use this remate to add a little flair to a choreography you already have, or
Put on some of your favorite tangos and do it over and over again as an exercise, or
Create your own dance and make this one of your steps.
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Here’s a flamenco step that combines marking with footwork.
Use it with any palo in the rhythm of 12.
Or use it as a technique exercise.
I recommend approaching the step like this:
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