Here’s a video tutorial of a flamenco step with abanico.
Incorporate it into a choreography, or
Use it as a practice exercise to improve:
opening and closing the fan
contratiempo
coordination
How to dance flamenco, flamenco travel in Spain, flamenco dance students and their experiences, interviews with flamenco artists, translations of flamenco letras (songs) from Spanish to English
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Here’s a video tutorial of a flamenco step with abanico.
Incorporate it into a choreography, or
Use it as a practice exercise to improve:
opening and closing the fan
contratiempo
coordination
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Below watch Ivan Vargas, one of our teachers on the Flamenco Tour to Granada, dance por alegrías.
(You will love this.)
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Want to better understand how cante and baile work together in bulerías?
Check out this incredible video of José Mijita and Carmen Herrera at Peña la Bulería along with a breakdown of Carmen’s dance below.
If you want to go even deeper to learn about how to dance to the cante join us for a virtual bulerías workshop Sunday!
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In the video tutorial below I take you through the basic movement of the hands and fingers used in flamenco dancing.
First we’ll focus solely on the movement of the hands.
Then we will look at the finger movements.
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Do you practice your flamenco hand movements?
Practicing 'manos' is a must for every flamenco dancer.
The good news is that there is not one right way to move the hands in flamenco.
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Here’s another glimpse at one of Carlos Saura’s flamenco films.
Watch Rocío Molina’s very personal interpretation of the garrotín in Flamenco, Flamenco with Rosario La Tremendita singing to her in the end.
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Here’s a simple tangos marcaje you can use to work on:
Pitos (finger snaps),
Hips,
Coordination, and
Arm positioning
Let’s take a look step by step
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Spanish film director, Carlos Saura, has passed away.
Below watch Pepa Flores sing the following letra accompanied by Paco de Lucía, in his award winning film, Carmen.
(You’ll also see Antonio Gades and Cristina Hoyos dancing.)
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The following twelve count marking step is all about the body.
The feet are pretty simple. (Phew.)
It’s the movement of the body and arms that makes the step.
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Check out, Irene “La Seranilla,” one of our teachers on the Flamenco Tour to Granada, dancing por soleá:
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Ready to dance with the abanico?
Here’s a step you can add to:
Your bulerías at the end of a guajiras
Your bulerías de Cádiz at the end of alegrías
A falseta or escobilla
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Enjoy this colorful rumba flamenca in honor of the late Lola Flores, who would have turned one hundred years old this month
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Minera
Antonio Sánchez Pecino
Ay Dios mío
me van a hacer barrenero
de las minas de La Unión…
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Here’s a new tangos combination for you.
You may use it:
As the singer comes to the end of a line of the letra
When the singer takes a respiro, a pause
Or simply as an exercise to practice coordinating contratiempo sounds with fluid body movements.
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Tarantos
Yo hago el monte explotar
con la mecha y la barrena
a ver si saco el metal
de esta mina traicionera
que conmigo va a acabar
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The great Manolete, Manuel Santiago Maya, passed away on September 12, 2022.
I have often wondered if the teacher with the bastón in that first flamenco video I saw that called me to this art form was Manolete, as he was so well known for his bastón…
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Here’s a fun llamada por tangos with lots of contratiempo and a redoble.
Learn it step by step below…
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Check out the Ballet Nacional de España dancing to villancicos por bulerías in 2020.
(It may be impossible not to love this):
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